- 10:40 pm - Thu, Nov 29, 2012
- 17,173 notes
To be honest, these have always creeped and repulsed the living Christ out of me. I attended a show of hers in NYC, lasted about 10 minutes and then I hightailed it out of there; I was just that bothered. But, here it is.
Tessa Farmer - Swarm (2004) - mixed media, desiccated insect remains, dried plant roots, and other organic ephemera
“Farmer’s tiny sculptures give a glimpse into the world of fairies. No story-book land of Tinkerbells, Swarm envisions the purveyors of mischief and magic as an actual species, as animalistic and Darwinian as any other.
Exchanging Victorian romanticism for the darker pragmatism of science, Farmer evidences her specimens as fearsome skeletal fiends, plausible ‘Hell’s Angels’ of a microscopic apocalypse.
Posed in dramatic battle formations, Farmer’s menagerie wages war against garden variety pests; each figure, painstakingly hand crafted and adorned with real insect wings, stands less than 1 cm tall.”
(Source: likeafieldmouse, via peep-toe-shoes)
- 12:50 am - Sun, Oct 28, 2012
- 14,479 notes
Politically-Driven Portrait Made of 3,500 Lipsticks
For a show at Birzeit University, Palestinian artist Amer Shomali chose to create a portrait of Leila Khaled, the woman known as the “poster girl of Palestinian militancy.” Unlike a typical portrait, Shomali’s medium of choice for this project is lipstick. Rather than painting the iconic member of the Popular Front for the Liberation of Palestine with paints or even drawing her image with lipstick, the artist uses a custom-built board on which fully intact tubes of lipsticks are affixed—3,500 tubes, to be exact.
Using 14 different colors, Shomali has managed to recreate the famous image of the revolutionary woman wearing a kaffiyeh and holding an AK-47. Though it’s not entirely clear why Khaled’s pixelated portrait titled The Icon is made specifically out of lipstick, the piece is open to interpretations. One theory could be the intriguing and controversial juxtaposition of a powerful and independent woman with an item that is associated with frivolous materialism and femininity and how it parallels the contrasting image of Khaled herself, a woman adorned with a traditional Arab headdress typically worn by men while holding a destructive firearm.
check out the time-lapse video
- 3:46 pm - Thu, May 3, 2012
- 9,782 notes
This bench was visually inspired by the feeling of floating that the main character felt in the French movie, “Le Ballon Rouge”(1953). In reality the bench is suspended from the ceiling by 4 anchors concealed by the balloon shapes. This creates the illusion of the bench being lifted by balloons.